CONTENTS
Editorial Article: On Bequests to Public Galleries............................................................ 253 Two Drawings by Andrea Mantegna in the Boymans Museum of Rotterdam. By
F. Schmidt-Degener................................................................................................... 255
Classical Influence on the Italian Medal. By G. F. Hill...................................................... 259 On a Portrait Drawing by Hans Holbein the Younger. By Lionel Cust.............................. 269 Studies in Composition. By Martin Aldur........................................................................... 270
The Technique of Greek and Roman Weaving. By Luther Hooper..................................... 276 Notes on Various Works of Art: Portrait of an Ecclesiastic by Diego Velazquez,
in the Collection of the Marques de la Vega-Inclan (A. de Beruete); On a Newly-discovered Portrait by Rembrandt (L, C. ); Francesco Napoletano (Herbert Cook); Unrecognized Knellers in the National Portrait Gallery (H. Collins Baker); Cologne Museum for the Art of the Far East (Laurence Binyon); Acquisitions by the National Gallery at Helsingfors (Roger Fry)
An Exhibition of English Pastellists, in Paris............................................................... 284 Letters to the Editors: Good-bye to ‘ Monvaerni’? (H. P. Mitchell); Concerning Lucas van Leyden (Morton H. Bernath); Signor Virzi’s Picture (Dan Fellows
Platt). .......................................................................................................... 294 Reviews and Notices.............................................................................................................. 296
Art in France (R. E. D. )......................................................................................................... 303
LIST OF PLATES
Frontispiece: Drawing by Andrea Mantegna........ 252 Two Drawings by Andrea Mantegna in the
Boymans Museum of Rotterdam; —
Plate — Drawing by Andrea Mantegna........... 257 Classical Influence on the Italian Medal: —
Plate I — All from specimens in the British Museum, except Nos. 5, 8 and the centre drawing. [1] Medal of Q. Remmius Palaeraon, by Camillo Mariani. [2] Gold Augustale of Frederick II. [3] Copper coin of Ragusa, thirteenth century. [5] Medal of Francis I, Carrara (Berlin Museum). [6] Sestertius of Trajan. [7] Medal of Lorenzo de’ Medici, ascribed to Bertoldo. [8] Gem by Athenion (Naples Cabinet). [9] Reverse of Sestertius of Hadrian. [10] Medal of Paul II, here ascribed to Aristotile da Bologna (Bibliotheque Nationale, Paris). [11] Reverse of medal of Alfonso d’Este, by Niccolo Spinelli. [Centre] Drawing by Pisanello (His de la Salle Collection, the
Louvre).................................................263 Plate II — Medals and testoons, all, except No. 1, from specimens in the British Museum. [1] Lodovico Scarampi, ascribed to Cristoforo Geremia (South Kensington Museum). [2] Augustus, by Cristoforo Geremia. [3] Augustus. [4] Alexander the Great. [5] Priam. [6] Artemisia; all four ascribed to Cesati. [7] Reverse of medal of Paul III, by Cesati. [8] Dido, ascribed to
Cesati. [9] Augustus, by Cavino of Padua. [10] Testoon of Giovanni II Bentivoglio, by Francia. [11] Augustus; North Italian work, circ. 1500. [12] Testoon of Gian
galeazzo Maria Sforza................................ 266 On a Portrait Drawing by Hans Holbein: —
Plate — Portraits of Sir Charles Wingfield, Kt.;
[a] (Windsor Castle); [b] (Sir John Leslie).. 271 Studies in Composition: —
Plate — [a] Victory of Samothrace (Louvre).
[b] Mount Fuji, by Hokusai, [c] Les Premiers
Pas, by J. F. Millet (Luxembourg, Paris)...... 274 The Technique of Greek and Roman Weaving: —
Plate — [a] Fragments of Greek ornamental
weaving, 5th cent. (Hermitage), [b] Fragment Egypto-Roman tapestry, 3rd or 4th
cent. a. d. [c] Detail, 16th cent. Brussels
tapestry (S. K. M. ).................................. 279 Portrait of an Ecclesiastic by Diego Velazquez.
Collection of the Marques de la Vega-Inclan: — Plate — The newly-discovered picture........... 285
On a Newly-discovered Portrait by Rembrandt: Plate — Portrait of Johan van Echten.............. 288
Francesco —
Plate — [a] Madonna and Child (Brera); [b] Madonna and Child (Mr. H. Morison, U. S. A. ); [c] Madonna and Child with SS.
John and Sebastian (Zurich); [d] Madonna and Child (New York Historical Society); all by Francesco Napoletano........................ 291
Editorial Article: On Bequests to Public Galleries............................................................ 253 Two Drawings by Andrea Mantegna in the Boymans Museum of Rotterdam. By
F. Schmidt-Degener................................................................................................... 255
Classical Influence on the Italian Medal. By G. F. Hill...................................................... 259 On a Portrait Drawing by Hans Holbein the Younger. By Lionel Cust.............................. 269 Studies in Composition. By Martin Aldur........................................................................... 270
The Technique of Greek and Roman Weaving. By Luther Hooper..................................... 276 Notes on Various Works of Art: Portrait of an Ecclesiastic by Diego Velazquez,
in the Collection of the Marques de la Vega-Inclan (A. de Beruete); On a Newly-discovered Portrait by Rembrandt (L, C. ); Francesco Napoletano (Herbert Cook); Unrecognized Knellers in the National Portrait Gallery (H. Collins Baker); Cologne Museum for the Art of the Far East (Laurence Binyon); Acquisitions by the National Gallery at Helsingfors (Roger Fry)
An Exhibition of English Pastellists, in Paris............................................................... 284 Letters to the Editors: Good-bye to ‘ Monvaerni’? (H. P. Mitchell); Concerning Lucas van Leyden (Morton H. Bernath); Signor Virzi’s Picture (Dan Fellows
Platt). .......................................................................................................... 294 Reviews and Notices.............................................................................................................. 296
Art in France (R. E. D. )......................................................................................................... 303
LIST OF PLATES
Frontispiece: Drawing by Andrea Mantegna........ 252 Two Drawings by Andrea Mantegna in the
Boymans Museum of Rotterdam; —
Plate — Drawing by Andrea Mantegna........... 257 Classical Influence on the Italian Medal: —
Plate I — All from specimens in the British Museum, except Nos. 5, 8 and the centre drawing. [1] Medal of Q. Remmius Palaeraon, by Camillo Mariani. [2] Gold Augustale of Frederick II. [3] Copper coin of Ragusa, thirteenth century. [5] Medal of Francis I, Carrara (Berlin Museum). [6] Sestertius of Trajan. [7] Medal of Lorenzo de’ Medici, ascribed to Bertoldo. [8] Gem by Athenion (Naples Cabinet). [9] Reverse of Sestertius of Hadrian. [10] Medal of Paul II, here ascribed to Aristotile da Bologna (Bibliotheque Nationale, Paris). [11] Reverse of medal of Alfonso d’Este, by Niccolo Spinelli. [Centre] Drawing by Pisanello (His de la Salle Collection, the
Louvre).................................................263 Plate II — Medals and testoons, all, except No. 1, from specimens in the British Museum. [1] Lodovico Scarampi, ascribed to Cristoforo Geremia (South Kensington Museum). [2] Augustus, by Cristoforo Geremia. [3] Augustus. [4] Alexander the Great. [5] Priam. [6] Artemisia; all four ascribed to Cesati. [7] Reverse of medal of Paul III, by Cesati. [8] Dido, ascribed to
Cesati. [9] Augustus, by Cavino of Padua. [10] Testoon of Giovanni II Bentivoglio, by Francia. [11] Augustus; North Italian work, circ. 1500. [12] Testoon of Gian
galeazzo Maria Sforza................................ 266 On a Portrait Drawing by Hans Holbein: —
Plate — Portraits of Sir Charles Wingfield, Kt.;
[a] (Windsor Castle); [b] (Sir John Leslie).. 271 Studies in Composition: —
Plate — [a] Victory of Samothrace (Louvre).
[b] Mount Fuji, by Hokusai, [c] Les Premiers
Pas, by J. F. Millet (Luxembourg, Paris)...... 274 The Technique of Greek and Roman Weaving: —
Plate — [a] Fragments of Greek ornamental
weaving, 5th cent. (Hermitage), [b] Fragment Egypto-Roman tapestry, 3rd or 4th
cent. a. d. [c] Detail, 16th cent. Brussels
tapestry (S. K. M. ).................................. 279 Portrait of an Ecclesiastic by Diego Velazquez.
Collection of the Marques de la Vega-Inclan: — Plate — The newly-discovered picture........... 285
On a Newly-discovered Portrait by Rembrandt: Plate — Portrait of Johan van Echten.............. 288
Francesco —
Plate — [a] Madonna and Child (Brera); [b] Madonna and Child (Mr. H. Morison, U. S. A. ); [c] Madonna and Child with SS.
John and Sebastian (Zurich); [d] Madonna and Child (New York Historical Society); all by Francesco Napoletano........................ 291