CONTENTS
Editorial Article: National Memorials and Selection Committees...................................... 199 A Portrait of Leonello d’Este by Roger van der Weyden. By Roger Fry............................. 200 Notes on Pictures in the Royal Collections — XX. The Equestrian Portraits of
Charles I by Van Dyck — Part II. By Lionel Cust, M. V. O., F. S. A....................... 202 A Sacra Conversazione in the Hermitage. By Tancred Borenius.................... 209 Ox-Yokes in the North of Portugal. By Paul Lafond.......................................................... 210 The Post-Impressionists. By A. Clutton Brock................................................................... 216 The Furniture of the Gillow Cost-Books — Part II. By Herbert Cescinsky....................... 219 Monvaerni and Montbas. By Egerton Beck........................................................................ 225 Notes on Various Works of Art: Two Fourteenth-century Chests (Sir Martin
Conway); John Osborne (Sir Martin Conway); The New Mantegna in the
Louvre (L. C. ); The Brothers Le Nain (L. C. ); The Palace of Cintra (L. C. ); Guardi and the Accademia di Pittura, Venice (George A. Simonson); An
Additional Note on the Portrait of Leonello d’Este (A. van de Put).......................... 228 Letters to the Editors: The Letters of Vincent van Gogh (Mme. J. Cohen
Gosschalk Bonger); Gowy (Morton H. Bernath).................................................... 233
Reviews and Notices............................................................................................................ 237 Art in Germany (H. W. S. ).................................................................................................. 250
LIST OF PLATES Frontispiece: A Portrait of Leonello d’Este by
Roger van der Weyden (in the possession of Messrs. P. and D. Colnaghi)......................... 198
A Portrait of Leonello d’Este by Roger van der Weyden. Coat of Arms on the reverse side
of the Portrait.........................................203 Notes on Pictures in the Royal Collections — XX: —
The Equestrian Portraits of Charles I by Van
Dyck (Buckingham Palace), (The National
Gallery).................................................206
A ʽ Sacra Conversazione ’ in the Hermitage: —
Pictures by Previtali, or here ascribed to him [a] Madonna and Child with a kneeling Donor
(National Gallery); [b] Detail of the Holy Family with two Donors and their Patrons (Imperial Gallery, Vienna); [c] Madonna and Child with a Donor (Museo Municipale,
Padua); [d] Madonna and Child with two
Donors (The Hermitage, St. Petersburg)..... 211
Ox-yokes in the North of Portugal: —
Contemporary Ox-yokes of antique design still used in the North of Portugal. Pair-yokes
used [a] on the banks of the Minho, [b] in in the neighbourhood of Oporto, [c] in the
extreme north. Single-yokes [d and e]. 214 The Furniture of the Gillow Cost-books — II: —
Plate I — The Carlton House Table, [a] com
pleted, [b] working design.......................... 221 Plate II — [a] Fitted Dressing-table, [b] Vase
Knife-case, [c] Mahogany Sideboard.......... 224
Monvaerni and Montbas.
Two Fourteenth Century Chests.
The inscription read as ‘Monvaerni’ and otherwise.
Two Fourteenth Century Chests; [a] probably English (whereabouts unknown), [b] the
French Chest of the Musée de Cluny........... 229 The New Mantegna in the Louvre: —
The St. Sebastian, from Aigue-Perse................ 232
Editorial Article: National Memorials and Selection Committees...................................... 199 A Portrait of Leonello d’Este by Roger van der Weyden. By Roger Fry............................. 200 Notes on Pictures in the Royal Collections — XX. The Equestrian Portraits of
Charles I by Van Dyck — Part II. By Lionel Cust, M. V. O., F. S. A....................... 202 A Sacra Conversazione in the Hermitage. By Tancred Borenius.................... 209 Ox-Yokes in the North of Portugal. By Paul Lafond.......................................................... 210 The Post-Impressionists. By A. Clutton Brock................................................................... 216 The Furniture of the Gillow Cost-Books — Part II. By Herbert Cescinsky....................... 219 Monvaerni and Montbas. By Egerton Beck........................................................................ 225 Notes on Various Works of Art: Two Fourteenth-century Chests (Sir Martin
Conway); John Osborne (Sir Martin Conway); The New Mantegna in the
Louvre (L. C. ); The Brothers Le Nain (L. C. ); The Palace of Cintra (L. C. ); Guardi and the Accademia di Pittura, Venice (George A. Simonson); An
Additional Note on the Portrait of Leonello d’Este (A. van de Put).......................... 228 Letters to the Editors: The Letters of Vincent van Gogh (Mme. J. Cohen
Gosschalk Bonger); Gowy (Morton H. Bernath).................................................... 233
Reviews and Notices............................................................................................................ 237 Art in Germany (H. W. S. ).................................................................................................. 250
LIST OF PLATES Frontispiece: A Portrait of Leonello d’Este by
Roger van der Weyden (in the possession of Messrs. P. and D. Colnaghi)......................... 198
A Portrait of Leonello d’Este by Roger van der Weyden. Coat of Arms on the reverse side
of the Portrait.........................................203 Notes on Pictures in the Royal Collections — XX: —
The Equestrian Portraits of Charles I by Van
Dyck (Buckingham Palace), (The National
Gallery).................................................206
A ʽ Sacra Conversazione ’ in the Hermitage: —
Pictures by Previtali, or here ascribed to him [a] Madonna and Child with a kneeling Donor
(National Gallery); [b] Detail of the Holy Family with two Donors and their Patrons (Imperial Gallery, Vienna); [c] Madonna and Child with a Donor (Museo Municipale,
Padua); [d] Madonna and Child with two
Donors (The Hermitage, St. Petersburg)..... 211
Ox-yokes in the North of Portugal: —
Contemporary Ox-yokes of antique design still used in the North of Portugal. Pair-yokes
used [a] on the banks of the Minho, [b] in in the neighbourhood of Oporto, [c] in the
extreme north. Single-yokes [d and e]. 214 The Furniture of the Gillow Cost-books — II: —
Plate I — The Carlton House Table, [a] com
pleted, [b] working design.......................... 221 Plate II — [a] Fitted Dressing-table, [b] Vase
Knife-case, [c] Mahogany Sideboard.......... 224
Monvaerni and Montbas.
Two Fourteenth Century Chests.
The inscription read as ‘Monvaerni’ and otherwise.
Two Fourteenth Century Chests; [a] probably English (whereabouts unknown), [b] the
French Chest of the Musée de Cluny........... 229 The New Mantegna in the Louvre: —
The St. Sebastian, from Aigue-Perse................ 232